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The 100Ws of power is suitable to fill a softbox and so can be used with a range of modifiers and still produce an excellent effect within your work. Both are 4800K which is equivalent to outside daylight. The strength of the modelling lamp really helps with focusing in low light situations and seeing what the light will do without having to do test shots. Connectivity Right from the outset, it’s clear that Godox has put some thought into making the AD400Pro flash even more transportable and convenient by providing a carry case with the unit itself – an accessory that the AD600Pro does not come with. This comes in handy when traveling so that the flash can’t be accidentally turned on and drain the battery. The AD600 Pro also offers a very powerful modeling lamp, meaning that this light can also be used as a video light alongside its flash capabilities! Offering a 38w light, as well as a 4-hour battery life from a single charge, the AD600 Pro is a great tool for both videography and flash photography.
To learn more about the difference between these two flashes, as well as the pros and cons of this flash, read our AD200 vs AD200 Pro comparison blog. I would like to see this ability added to both the AD400 Pro and AD600 Pro strobes, too, for when dialling in power on the strobe itself. Not having this ability isn’t a dealbreaker, but it’s a handy time-saving option to have in certain circumstances. Godox, and their rebranded lights like the Flashpoint series sold through Adorama, have really outpaced the industry namesakes the past three years. They have been the low-cost, high-value lighting brand and have garnered a reputation of lighting that is super powerful for the price with the same features of some high-end brands that are priced 300-400 percent higher. This has opened up high output lighting to many more people and lowered the barrier of entry into the most important part of photography: the quality and quantity of light available.
Cons
Many thanks to Paul and Lex for helping me out with this bit. There’s no video for it yet, though. That’ll be coming with the review for the Godox XPro-P trigger for Pentax. The video for this is now live over on the Godox XPro-P review. If Sigma adopts Panasonic’s flash system, then it means next year’s full frame Foveon camera should already have full support from Godox. If not, Paul will just have to keep hoping that Godox one day supports Sigma’s flash system. Conclusion The Godox Witstro AD400Pro All-in-One Outdoor Flash has 400ws strength power, 0.01-1s recycling time, 12 continuous flashes in 1/16 power output, 40w LED modelling lamp, 380 full power pops and stable colour temperature (which changes within +-75k over the entire power range in colour temperature mode. Partway through the day, we went to take a break in Glasgow Green park. So I tested my usual TTL method. Aperture priority with -2EV on the camera, and +2EV on the flash in TTL mode. Shot on the Pentax K1 and SMC M 35-70mm f4 lens at 1/1000 (the first three) and 1/320 (far right) at f/4, ISO200 – Lex’s photos.
However, Godox learned from the AD200 and what they learned they applied to the Pro. On the AD200 Pro they improved the recycle time from 0.01-2.1s to 0.01 to 1.8s, as well as offering a greater choice of power ranges (1/256-1/1 in 1/10th stop increments instead of 1/128-1/1 in 8 stops). They also improved upon the design of the flash by adding a sunken LCD screen to the unit which protects the screen against damage in the case of being dropped or blown over.On speaking with Paul, he felt that it was a similar sort of power output to his older Godox AD600BM. We put this down to the better bulb placement on the AD400 Pro. The Bowens adapter is solid, can be left attached permanently, can still be used with the supplied reflector and all fits inside the case complete In summary, though, it feels like a good solid light, and it seems to have all the features that were added to the AD600 Pro in a recent firmware. Within many industries, the premium for lighter and more compact attributes can be extremely high, and the Godox pro level series of strobes is incredibly reasonable, and is simply not charging what the photographic industry has commonly become accustomed to. It’s a robust system that works with the most common modifier mounts available for an absolutely reasonable cost, all while offering features that enable faster and more accurate creation. I would surmise that the AD400 Pro will become a hit as it works into the kits of hobbyists and professionals alike that are looking to save some cost and weight while affording the benefits of a strobe that is equal to some of the best lighting companies in the world. Despite three of us shooting the single strobe that day, that was turned on the entire time, I didn’t have to dip into my Novoo to recharge the battery at all. At the end of the day it was still showing 3 out of 4 lights on the charge indicator
Once you’ve attached the bulb, you’ve got a bulb-shaped hole that you can’t really do anything with (unless you want to carry a spare), but at least you can fit a couple of XPro triggers in the slot that held the Bowens adapter. Lighting modifiers such as softboxes, barn doors, snoots and beauty dishes are also readily fitted directly to the unit or the attached mount. Photographers nowadays need everything to be portable, lightweight and easy to set up and take down, which is exactly what the AD400Pro provides. You can find the wireless triggers here– they are brand specific for Canon, Nikon, Sony, Fuji, Pentax, Olympus and Panasonic. This ability to overpower the sun comes from the massive 600Ws of power that this light can produce. This light has a power range of 1/256-1/1 in 10 increments, a recycling time of 0.01-0.9s, as well as sporting TTL and HSS capabilities.Comparing the modelling lamps, the AD600Pro comes out on top with a 38W COB LED, compared to the 30W COB LED on the AD400Pro. The AD200 Pro and the AD200 have an awful lot in common; both lights offer 200Ws of power, a transmission range of 100m, TTL and HSS capabilities, 32 channels, around 500 full-power flashes, as well as both offering a lightweight and portable flash photography option. The process of adjusting to TTL, Manual, or Multimode is straightforward, and it is easy to customise the settings and play around with different lighting effects – these can all be adjusted using the side control panel on both units. Master and Slave Function: AD400Pro can use with combination with Godox TTL camera flashes, TTL outdoor flashes etc. The Godox AD range of flash heads is by far the most popular of the Godox flash series and for good reason! Every light is powerful, portable, lightweight and exceptionally high quality, so it's no wonder that photographers are all looking to expand their kit using these lighting solutions. However, a few of the questions we often get asked are, what exactly is the difference between the lights in this series, what can each power level of the AD range get you, and which modifiers will these lights work with? To answer these questions, and more, we have created a comprehensive guide to buying your Godox AD flash head!
But the AD400 Pro proved to us that it could handle the vast majority of situations any of us would find ourselves in for both our personal and paid photography work.A screen grab from the XPro-P review video (coming soon) lit by the AD400 Pro modelling light inside a 4ft parabolic softbox. 1/50, f/8, ISO800. I’m really hoping that Godox announces an AD200 Pro at some point in the near future to complete the “Pro” lineup and make this choice a little easier. Given the recent release of the H200R round head and EC200 extension head for the AD200, I think we’ll be waiting a while.
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